Death Comes To Pemberly

I’m sure I’m not the only reader who was excited to receive P. D. James’ new novel, Death Comes to Pemberly for Christmas this year. The novel, a sequel of sorts to Pride and Prejudice, follows Elizabeth Darcy to her new home, Pemberly, in Derbyshire. Set six years after Pride and Prejudice, Elizabeth is now settled and happily married to Mr. Darcy. Continue reading

Fantasy Fiction

For a long time I thought fantasy fiction was the sort of thing I should avoid. I didn’t like Lord of the Rings that much and I found The Hobbit a bit, well, childish. I preferred grittier or loftier things to read. Or so I thought. This week I picked up – metaphorically that is: I actually downloaded – George R. R. Martin’s A Game Of Thrones and it’s proved me wrong. It is packed with the sort of fantasy tropes I thought I’d hate – dragon eggs, dwarves, a mysterious group of creatures called The Others – but I could hardly put it down and have gone out and bought the next in the series.

Why was I so struck? Because of it’s grandeur and ambition I think. The books are about war and fantasy but they are also about politics and ambition. Modern literary fiction and crime fiction don’t really deal with the scope of politics and leadership very well and, all to often, they pay lip service to matters of state so that they fall short and feel false. In part because they are necessarily short these days: big books are harder to sell. George R. R. Martin doesn’t do this. A Game of Thrones is a fascinating examination of why men and women in positions of power act as they do and it shows the consequences of these actions in vivid detail. I can’t wait to keep reading the series and it’s great to be proven wrong too.

The Simple Art Of Murder

Simple Art of Murder, Raymond Chandler

The Cover From The Second Edition of The Simple Art of Murder, a collection of Chandler stories published by Houghton Mufflin in 1950 and prefaced by the essay.

Raymond Chandler’s essay The Simple Art of Murder is pretty much  required reading for any Chandler fan and any aspiring crime writer. It is one of those essays that has earned a place in literary history for its title as much as its thesis. Appearing in The Atlantic Monthly in December 1944, it’s a serious examination of the genre and it reveals plenty about Ray and about how he approached writing so to my mind it is interesting in both a biographical sense and a literary one. Continue reading